stuff we print on

Below is a selection of our substrates and services. There are

non-printable edges to our non-photographic papers.

Heavyweight Matte Bond
A heavyweight bond paper with a bright white matte surface. Best for: posters and presentations, tradeshow displays, Geographical Information Systems (GIS), Architecture (AEC) & Engineering (CAD) and retail displays. Not for prints with heavy ink coverage.


Matte Photopaper
A heavy, white paper that prints smoothly, producing a superior print with a matte finish. Not recommended for full ink coverage of dark colours, but ideal for mounting.

Satin Photopaper
Premium photopaper that produces vibrant colour that’s fade resistant. The finish has a bit of sheen but not a shiny gloss. Perfect for pieces with heavier ink coverage, and for black and white images.


Somerset Velvet
A museum quality art paper that’s acid free and 100% cotton. Produces radiant whites, rich blacks, vivid colour and enhanced detail reproduction. Also excellent for high contrast, black+white images.

Hahnemühle Photo Rag Fine-Art
A heavier, smooth, bright white 100% rag based paper specifically designed to meet the need of photographers or artists using digital photographic output. An excellent choice for archival printing of black+white and colour photographs with a matte finish.

Hahnemühle Photo Rag Pearl Fine-Art
This natural white photopaper is 100 % cotton with a smooth homogeneous surface structure with the unique pearl-coating. With the weight of an art paper and a lustre finish, this paper is ideal for photographs and art reproductions with warm grey and colour tones.

Hahnemühle German Etching
Acid free etching paper, with the smoothest surface in the art line range making it ideal for images which are highly detailed and photographic imagery. This smooth matte paper is perfect for reproductions of lithographs and pastels as well as striking original prints.

Hahnemühle Torchon
A bright natural white, acid free watercolor paper with a parchment, or pastel paper surface reminiscent of a very coarse linen structure. Especially suits art reproductions and landscapes.

Hahnemühle Bamboo
Natural warm tone paper made from bamboo, a renewable source. The smooth, natural white tone allows for depth and richness in black+white images and vibrancy in colour pieces. 

Hahnemühle Sugar Cane
Sugar Cane combines the quality of a fine-art inkjet paper with the responsible use of raw materials. A “bagasse” pulp is used that is a
by-product of raw sugar production, and the cotton portion is made from recycling the mill’s own paper waste. Displaying the fine texture of a pastel paper, Sugar Cane lends every image an artistic look and feel.


Our textured canvas material is perfect for fine art reproductions and photo prints. It is a bright white, cotton blend with an archival rating; and is free of optical brighteners, which would yellow over time. We coat the print with a custom made coating that has a satin finish. Canvas is stretched to a handmade, kiln-dried stretcher frame, and finished with hanging hardware. Sizes start from 12 x 12”.

Backlit   $10-12/sq ft
A 5 or 9mil backlit film that is durable, fade resistant and prints crisp images with vivid colour. 

Laminate  $5 sq ft 
We can finish and protect your print with a lustre laminate. Not for fine art prints.

See our Academic page

Lamination for our heavyweight matte and photo papers
Mounting – to 3/16” (white or black) or 3/8” (white only) fomecor
Trimming – included for non-academic projects

Hanging hardware on the back of a stretched canvas

Museum Wrap

Gallery Wrap